Much of writing is connecting words and phrases doing the
same workâmultiple subjects, verbs, modifiers, objects. And most writers
connect them with conjunctions and commas in common ways. Weâre going to show
you some uncommon connectionsâwhat we call deft
connections.
A simple tip is to order pairs and series from short to
long. Most of us spit out compound subjects and predicates and the elements of
pairs or series as they come out of our mindâhaphazardly. You can make your
writing clearer by rearranging those elements from short to long and from
simple to compound. Start by counting the words of each phrase, and arrange them
from short to long.
Hereâs a nice example from Andrew Sullivanâs Atlantic
Monthly feature on Barack
Obama:
Obama, moreover, is no saint. He
has flaws and tics: Often tired, sometimes crabby, intermittently solipsistic,
heâs a surprisingly uneven campaigner.
The series goes from short to long, both in words and
complexity, drawing the reader into the more difficult âintermittently
solipsisticâ rather than leading with such a mouthful.
Another example:
In 2007 I traveled to Washington,
D.C., Miami, and New York.
Thatâs okay, but notice how the eye pauses on Washington,
then D.C., then Miami and New York. Another ordering, perhaps easier on the
reader, would have been:
In 2007 I traveled to Miami, New
York, and Washington, D.C.
Notice how readers can see all three cities without pausing.
So the next time you write, try ordering your pairs and series to ease your
readersâ work. But there are some exceptions: groups of words or phases listed chronologically
(breakfast, lunch, dinner) or alphabetically to avoid bias (New Zealand, Russia,
Tuvalu).
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