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    <id>tag:blog.clearwriter.com,2007-09-21://3</id>
    <updated>2008-06-24T19:17:18Z</updated>
    
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<entry>
    <title>Tuesday Thought: This or that?</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/06/tuesday-thought-this-or-that.html" />
    <id>tag:blog.clearwriter.com,2008://3.64</id>

    <published>2008-06-24T19:16:49Z</published>
    <updated>2008-06-24T19:17:18Z</updated>

    <summary> Two earlier postings covered these and those, the plurals of this and that, as demonstrative pronouns. Todayâs covers this and that as singular demonstrative pronouns. (Curiously, Fowler has no entries for them in thisâor thatâform.) Their use in distinguishing...</summary>
    <author>
        <name>ClearWriter</name>
        
    </author>
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">Two earlier postings covered <i style="">these</i> and <i style="">those,</i> the plurals of <i style="">this</i>
and <i style="">that,</i> as demonstrative pronouns.
Todayâs covers <i style="">this</i> and <i style="">that </i>as singular demonstrative pronouns.
(Curiously, Fowler has no entries for them in thisâor thatâform.)</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Their use in distinguishing time,
order, or nearness is straightforward.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">This</i></b><i style=""> is a pleasant meal.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">That </i></b><i style="">was a pleasant meal.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I prefer <b style="">this</b> to<b style=""> that</b>.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">But where <i style="">this </i>and <i style="">that </i>are
demonstrative pronouns referring to an earlier sentence, matters can become
more complicated. Consider this except from a piece in <i style="">The Economist</i> called âTime to buy.â</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">But neither government
bond markets nor commodities can in any sense be described as being near a
bottom.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In short, <b style="">this</b> does not look definitely like the
kind of low from which very good long-term returns can be made. <b style="">That</b> may be because the market has a
lot further to fall; Morgan Stanley suggests that, if the superbear argument is
correct, equities could drop a further 50%. But <b style="">that</b> will surely require some kind of economic news of the kind
seen in the 20<sup>th</sup> century.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The present tense (<i style="">does not look</i>) governs the use of <i style="">this</i> in the first sentence. And present
tense (<i style="">may be</i>) would indicate the use
of <i style="">This</i> in the second sentence as
well, but having already used this in the preceding sentence, the writer
switches to <i style="">That</i> to avoid repetition
and possible confusion over the antecedent. Future tense (<i style="">will surely require</i>) would indicate the use of <i style="">this</i> in the third sentence too, but distance in time (<i style="">seen in the 20<sup>th</sup> century</i>) indicates
<i style="">that</i>, overriding tense.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Here are a few more from a
piece in <i style="">The Economist</i> on chemical
sensors, âGas, gas, quick boys.â</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In this way the
components of the sample separate from one another. Each component is puffed
onto the nanotubes, where it sticks to the carbon atoms. <b style="">This,</b> in turn, causes the conductivity of the nanotubes to
changeâhow much is a characteristic of each gas.<o:p></o:p></i></p>

<p style="margin: 5pt 0in 12pt 0.5in;"><i style="">What is needed is a cheap way of
detecting such gases and, having raised the alarm, of identifying which gas is
involved so that anyone who has succumbed can be treated.<o:p></o:p></i></p>

<p style="margin: 5pt 0in 12pt 0.5in;"><i style="">And <b style="">that</b> is what a team of chemical engineers at the Massachusetts
Institute of Technology, led by Michael Strano (pictured on the left), think
they have created.<o:p></o:p></i></p>

<p style="margin-bottom: 12pt;">Present tense dictates the use of <i style="">This </i>in the first pair. It should also
dictate the use of <i style="">this</i> in the
second.</p>

<p style="margin-bottom: 12pt;">Perhaps the writer felt that <i style="">that</i> would be more demonstrative than <i style="">this</i>. Or perhaps the writer preferred
the word with an abrupt finish over the one with a hiss, a preference Iâm
beginning to note.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">For more on that, view <a href="http://www.youtube.com/watch?v=Zo1XFz0kac0">http://www.youtube.com/watch?v=Zo1XFz0kac0</a>.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><o:p>&nbsp;</o:p></p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>These--or them, or they</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/06/theseor-them-or-they.html" />
    <id>tag:blog.clearwriter.com,2008://3.63</id>

    <published>2008-06-03T18:45:09Z</published>
    <updated>2008-06-04T18:47:24Z</updated>

    <summary> The demonstrative pronoun these can precede a noun as an adjective: these apples are ripe. Or it can stand alone as a substantive, acting as a noun: these are ripe. Consider this pair of sentences from a recent Economist:...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">The demonstrative pronoun <i style="">these</i> can precede a noun as an
adjective: <i style="">these apples are ripe.</i> Or
it can stand alone as a substantive, acting as a noun: <i style="">these are ripe.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Consider this pair of sentences
from a recent <a href="http://www.google.com/url?sa=t&amp;ct=res&amp;cd=1&amp;url=http%3A%2F%2Fwww.economist.com%2Fworld%2Fasia%2Fdisplaystory.cfm%3Fstory_id%3D11294789&amp;ei=7eJGSOK-FaHgePjssKoI&amp;usg=AFQjCNEuZ67KkNrGqyr2MmbqbMEuMAWnIQ&amp;sig2=fl5pokTsJ9oCds2leDOWyQ"><i style="">Economist</i>:</a><o:p></o:p></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In a bid to salvage his
reputation, Mr Badawi has belatedly started keeping the bold promises of reform
that he made on coming to office in 2003. Foremost among <b style="">these</b> was curbing corruption within the government.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Here, <i style="">these </i>is the object of the preposition <i style="">among</i>, acting as a pronoun and standing for <i style="">promises.</i><o:p></o:p></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">These</i> can often stand alone as the subject of a clause, if itâs
clear what <i style="">these</i> refers to (see
below). But <i style="">these</i> works less well as
the object of a preposition or of a verb form. I usually switch to the pronoun <i style="">them, </i>which for me works much better.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">â¦the bold promises of
reform that he made on coming to office in 2003. Foremost among <b style="">them</b> was curbing corruptionâ¦<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">If itâs not clear what <i style="">these </i>or<i style=""> them </i>refers to, I insert the noun, switching <i style="">these</i> from a substantive to a demonstrative adjective <i style="">(â¦Foremost among these promisesâ¦).</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Another usage is as follows:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><span style="font-size: 10pt; font-family: Arial; color: navy;">&nbsp;</span><i><span style="color: black;">The <b style="">case<span class="apple-converted-space">&nbsp;</span><span style="">studies</span></b><span class="apple-converted-space">&nbsp;</span>come
next.<span class="apple-converted-space">&nbsp;</span><b>These</b><span class="apple-converted-space">&nbsp;</span>are straightforward and require mainly
copyediting</span></i><span style="color: black;">.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">My colleagues <st1:place w:st="on">Meta</st1:place>,
Elaine, and Chris would write <i style="">they,</i>
because <i style="">these</i> implies the existence
of <i style="">those,</i> as though thereâs another set
of book elements that are not straightforward. If there is another set, <i style="">these</i> would be acceptable, though Iâd
probably stick with <i style="">they.</i> Nick has
another view (see his comment on this post).</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">One problem with the standalone
substantive is that it usually forces the reader to stop and go back to look
for the noun it refers to.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Less of a problem is announcing
the noun:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">These,</i></b><i style=""> then, are <b style="">the reasons</b> for taking the new threats
seriously.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">A nice rhetorical flourish.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">But why not write <b style=""><i style="">those</i></b><i style="">, then, are the reasonsâ¦</i>? More on this
next week.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: What&apos;s the point?</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/05/thursday-tip-whats-the-point.html" />
    <id>tag:blog.clearwriter.com,2008://3.62</id>

    <published>2008-05-01T21:49:29Z</published>
    <updated>2008-05-08T21:50:16Z</updated>

    <summary><![CDATA[ Many writers, even economists and statisticians who should know better, confuse percent and percentage point and thus their readers. &nbsp;The abuse is common with rates, such as those of GDP growth: &nbsp;Brazilâs GDP growth increased by 2.5 percent in...]]></summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal">Many writers, even economists and statisticians who should know
better, confuse <i style="">percent</i> and <i style="">percentage point</i> and thus their readers.</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />The abuse is common with rates, such as those of GDP growth:</p>



<p class="MsoNormal" style="margin-left: 0.5in;"><o:p>&nbsp;</o:p><br /><st1:place w:st="on"><st1:country-region w:st="on"><i style="">Brazil</i></st1:country-region></st1:place><i style="">âs GDP growth increased by 2.5 <b style="">percent</b> in 2007.<o:p></o:p></i></p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />If <st1:place w:st="on"><st1:country-region w:st="on">Brazil</st1:country-region></st1:place>âs
GDP growth had been 5 <i style="">percent</i> in 2006
and increased by 2.5 <i style="">percent,</i> the
growth rate for 2007 would be 5.125 <i style="">percent.</i>
But if growth increased by 2.5 <i style="">percentage
points,</i> the growth rate for 2007 would be 7.5 <i style="">percent</i>. A big difference.</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />The differences between two percentages are thus measured in
percentage points not in percent, used for ratios and shares.</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />Consider these differences in the shares of three categories
of voters from Wednesdayâs Washington Post:</p>



<p class="MsoNormal" style="margin-left: 0.5in;"><o:p>&nbsp;</o:p><br /><i style="">An
estimated 2 million Democrats voted, nearly triple the number who turned out in
the past two presidential campaigns in the state. Clinton ran up big margins
with her core constituencies, winning white voters with incomes under $50,000 <b style="">by 32 points,</b> voters over age 65 <b style="">by 26 percent,</b> and Catholic voters <b style="">by 38 percent,</b> more than countering
Obamaâs strong showing among black voters and higher-income whites in
Philadelphia and its suburbs.<o:p></o:p></i></p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />For the <i style="">32 points,</i>
the writer should have made it clear that they are <i style="">percentage points</i> (this wasnât a basketball game that <st1:City w:st="on"><st1:place w:st="on">Clinton</st1:place></st1:City> won by 32 points,
with a score of 120-88).</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />And the <i style="">26 percent</i>
and <i style="">38 percent</i> are plainly wrong.
Both should have been <i style="">percentage points,</i>
shortened to <i style="">points</i> if the first use
had been <i style="">32 percentage points, </i>specifying
the kind of points.</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />If the margin among voters over age 65 had been 63 <i style="">percent</i> of the total to 37 <i style="">percent,</i> that would be 26 <i style="">percentage points.</i> But if <st1:City w:st="on"><st1:place w:st="on">Clinton</st1:place></st1:City> had won those
voters by <i style="">26 percent,</i> her margin
would have been <i style="">11.8 percentage points</i>
(0.37 x 0.32 = 0.118) and her share of the total <i style="">48.8 percent </i>(0.37 + 0.118).</p>



<p class="MsoNormal"><o:p>&nbsp;</o:p><br />(<i style="">Percent</i> comes
from the Latin <i style="">per centum,</i> by the
hundred.)</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Seeming synonyms--historic and historical?</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/04/tuesday-thought-seeming-synony.html" />
    <id>tag:blog.clearwriter.com,2008://3.61</id>

    <published>2008-04-15T15:24:16Z</published>
    <updated>2008-04-16T17:28:06Z</updated>

    <summary>Many writers wrongly see some pairs of words as synonyms, alternating between them randomly or using one in ways that violate convention or ignore its origins. Reminding me of this was Henry Kissingerâs use of historic in a recent opinion...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[Many writers wrongly see some
pairs of words as synonyms, alternating between them randomly or using one in
ways that violate convention or ignore its origins. Reminding me of this was
Henry Kissingerâs use of <i style="">historic</i> in
a recent opinion piece in the <a href="http://www.google.com/url?sa=t&amp;ct=res&amp;cd=1&amp;url=http%3A%2F%2Fwww.washingtonpost.com%2Fwp-dyn%2Fcontent%2Farticle%2F2008%2F04%2F06%2FAR2008040601660.html&amp;ei=vBsFSLKRMIH4eaWVmSM&amp;usg=AFQjCNHwFAuj-PcQW1Dnz4ra6S892onaIw&amp;sig2=xP92lm8A-M1cD5B8mC_P1w">Washington
Post</a>:

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Essentially tactical
issues have overwhelmed the most important challenge a new administration will
confront: how to distill a new international order from three simultaneous
revolutions occurring around the globe: (a) the transformation of the
traditional state system of Europe; (b) the radical Islamist challenge to <b style="">historic</b> notions of sovereignty; and
(c) the drift of the center of gravity of international affairs from the
Atlantic to the Pacific and Indian Oceans.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">I wonât comment on the
sentenceâs length (67 words), on the use of two colons, or on the use of
letters (a, b, c) to indicate the three (1, 2, 3) revolutions. I will stick
instead to the use of <i style="">historic</i>.
Kissinger may have used <i style="">historic</i> to
avoid repeating <i style="">traditional</i>.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Historic</i>âs seeming synonym is <i style="">historical.
</i>The difference? <i style="">Historical</i> is
historyâs ordinary adjective, meaning <i style="">of
history. Historic</i> means memorable or dramatic, but I donât believe that Kissinger
was thinking of <i style="">memorable notions</i> or <i style="">dramatic notions.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Would anybody misread the
second revolution? Yes. I would. Does distinguishing the two seeming synonyms
make a difference? I believe that it does. So does Fowler in <a href="http://www.google.com/url?sa=t&amp;ct=res&amp;cd=1&amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FFowler%27s_Modern_English_Usage&amp;ei=3hsFSMvyPKTkepyYxSI&amp;usg=AFQjCNEd3MnqhekjGDMikaxFul36RIqAXg&amp;sig2=_BzUNE6dg7ADoQSyHlDlQw">Modern
English Usage</a>: âthe use of one in a sense now generally expressed by the other
is a definite backsliding.â</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Historic </i>also means assured of a place in history, as with <i style="">historic accord</i> or <i style="">historic building. </i>Grammarians also use historic as a technical
term, as with the tense, <i style="">historic present</i>,
the use of the present tense to relate events that occurred in the past.<i style="">.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Here are three other seeming
synonyms routinely abused:</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Comprise</i> (embrace) and <i style="">constitute</i>
(make up), as in âThe whole <i style="">comprises</i>
the parts, and the parts <i style="">constitute</i>
the whole.â</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Imply</i> (suggest to the reader or listener) and <i style="">infer</i> (conclude from the writer or speaker), in âAre you <i style="">implying</i> that we should act on this? And
may we <i style="">infer</i> from what you say that
we should act on this?â</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Masterful </i>(domineering) and <i style="">masterly</i>
(skillful), as in <i style="">The Economist</i>âs
take on Saddam Husseinâs gulf war strategy: âmore <i style="">masterful</i> than <i style="">masterly</i>.â
True, some dictionaries have a second definition of <i style="">masterful</i> that is the same as that for <i style="">masterly</i>, reflecting the wordsâ early history as synonyms and the
practice of most dictionaries of recording usage rather than pronouncing on
proper usage. (I still shudder at the Merriam-Webster New Collegiate
Dictionaryâs including <i style="">prioritize </i>as
a verb.) </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">There are countless others. See
<a href="http://www.google.com/url?sa=t&amp;ct=res&amp;cd=1&amp;url=http%3A%2F%2Fwww.amazon.com%2FEdit-Yourself-Manual-Everyone-Works%2Fdp%2F0393313263&amp;ei=WBwFSLawCoKkeNTIxSI&amp;usg=AFQjCNFAdnCairdgzKd31OBkBMYiDEfB_w&amp;sig2=TOAYCt_uwbvimTIaejM5kg">Edit
Yourself</a> and the <a href="http://www.clearedits.com/">ClearEdits</a> <i style="">compare</i> function.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><b style=""><span style="color: navy;">Note</span></b><span style="color: navy;"><o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="color: black;">My
colleague Meta pointed me to Merriam-Webster, for the definition of masterful</span><span style="color: navy;">:</span><span style="color: black;"><o:p></o:p></span></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;">Some commentators insist that use of <i>masterful</i> should
be limited to sense 1 in order to preserve a distinction between it and <i>masterly.</i>
The distinction is a modern one, excogitated by a 20th century pundit in
disregard of the history of the word. Both words developed in a parallel manner
but the earlier sense of <i>masterly,</i> equivalent to <i>masterful</i> 1,
dropped out of use. Since <i>masterly</i> had but one sense, the pundit opined
that it would be tidy if <i>masterful</i> were likewise limited to one sense
and he forthwith condemned use of <i>masterful</i> 2 as an error. Sense 2 of <i>masterful,</i>
which is slightly older than the sense of <i>masterly</i> intended to replace
it, has continued in reputable use all along; it cannot rationally be called an
error.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Samuel Johnson's dictionary gave both meanings for <i>masterly</i>:</p><blockquote><blockquote><p class="MsoNormal" style="margin-bottom: 12pt;">1. Suitable to a master; artful; skilful.</p><p class="MsoNormal" style="margin-bottom: 12pt;">2. Imperious; with the sway of a master. <br /></p></blockquote></blockquote><p class="MsoNormal" style="margin-bottom: 12pt;">(He did not include <i>masterful</i>.)<br /></p><p class="MsoNormal" style="margin-bottom: 12pt;">And this is what Fowler (the 20<sup>th</sup>
century pundit?) writes in Modern English Usage for <i>masterful, masterly</i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;">Some centuries ago both were used without distinction in
either of two very different senses: (A) imperious or commanding or strong-willed,
and (B) skilful or expert or practiced. The differentiation is now complete, <i>-ful</i>
having the (A) and <i>-ly</i> the (B) meaning, and is nicely observed in <i>The
presentation in each case was masterly (perhaps in a few rare instances a
trifle too masterful) and always the playing was crystal clear.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">I agree with Fowler (and Meta) that
the distinction is useful (I wonât comment on his use of A and B). If someone
were to write, <i>Diana Vishnevaâs performance was masterful,</i> how would I
to know whether it was an expert performance or an imperious performance?</p>



<br /><p class="MsoNormal" style="margin-bottom: 12pt;">Masterful in the (B) meaning
may survive because of the clumsiness of forming an adverb from the adjective <i>masterly:</i>
<i>masterlily. Masterfully</i> clearly is less clumsy.<o:p> </o:p>&nbsp;<br />

</p>]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Fragments</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/thursday-tip-fragments.html" />
    <id>tag:blog.clearwriter.com,2008://3.60</id>

    <published>2008-03-27T20:43:39Z</published>
    <updated>2008-03-27T20:46:56Z</updated>

    <summary> Sentence fragments, shunned by rigid writers and grousing grammarians, often mimic speech and thus pick up the pace of your writing. Unexpected, they can command attention to strong points and comments. Hereâs an example from a recent New York...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="fragments" label="fragments" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="grammar" label="grammar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyorktimes" label="new york times" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sentence" label="sentence" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="starbucks" label="starbucks" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">Sentence fragments, shunned by
rigid writers and grousing grammarians, often mimic speech and thus pick up the
pace of your writing. Unexpected, they can command attention to strong points
and comments. Hereâs an example from a recent <i style="">New York Times</i> article on <a href="http://www.nytimes.com/2008/01/12/business/12nocera.html?pagewanted=print">revitalizing
Starbucks</a>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">But revitalizing the
Starbucks experience is not going to be enough. <b style="">Not even close.</b><o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The full sentence would have
been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">But revitalizing the
Starbucks experience is not going to be enough. <b style="">It will not even be close.<u><o:p></o:p></u></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Stripping the subject and verb
from the front and leaving the fragment drives the reader straight to the
point.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Hereâs another example from the
ClearWriter archives:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">The marriage of <st1:country-region w:st="on"><st1:place w:st="on">America</st1:place></st1:country-region> and the
rest of the world is just that. <b style="">A
marriage, for better or worse.</b></i><b style=""><o:p></o:p></b></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The more conventional version
might have been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">The marriage of <st1:place w:st="on"><st1:country-region w:st="on">America</st1:country-region></st1:place>
and the rest of the world is just that, <b style="">a
marriage for better or worse.</b></i><b style=""><o:p></o:p></b></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">A small difference, but a
difference. Because the fragment is unconventional, it draws more attention to
the point than the conventional version does. Just be sure that the passage
merits the attention.<b style=""><o:p></o:p></b></p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Only if... if only</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/tuesday-thought-only-if-if-onl.html" />
    <id>tag:blog.clearwriter.com,2008://3.59</id>

    <published>2008-03-25T22:08:06Z</published>
    <updated>2008-03-27T13:21:20Z</updated>

    <summary> Only is another of those words (like that) that does many things and has many meanings, depending on what it limits, modifies, or connects and where. Sometimes itâs not clear what only modifies. And sometimes where only is placed...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">Only</i> is another of those words (like <i style="">that</i>) that does many things and has many meanings, depending on
what it limits, modifies, or connects and where. Sometimes itâs not clear what <i style="">only</i> modifies. And sometimes where <i style="">only</i> is placed affects the meaning,
especially when it is as an adverb (<i style="">only</i>
can also be an adjective or conjunction).</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Only</i></b><i style=""> she is my wife.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">She <b style="">only</b> is my wife.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">She is <b style="">only</b> my wife. <o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">She is my <b style="">only</b> wife.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">She is my wife <b style="">only</b>.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Todayâs post looks<i style=""> </i>at <i style="">only</i>
as an adverb.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">In speech and informal writing <i style="">only</i> often appears earlier than the word,
phrase, or clause it modifies.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Todayâs post <b style="">only looks</b> at only as an adverb.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">With<i style=""> only </i>preceding <i style="">looks,</i>
the readersâ first take is that the post <i style="">only
looks</i> and does nothing else. Readers are unlikely to misunderstand this,
but by putting <i style="">only</i> one position
later, their first take is the correct one, that the post looks <i style="">only </i>at<i style=""> only as an adverb</i>, the full and unbroken adverbial phrase.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Todayâs post <b style="">looks only</b> at only as an adverb.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Fowler, in his <i style="">Modern English Usage</i>, writes that the
first version is the normal way of speaking and, however illogical it may be, changing
to the second version would succumb to pedants, who âIf they are not quite
botanizing on their motherâs grave, they are at least clapping a strait
waistcoat upon their mother tongue, when wiser physicians would refuse to
certify the patient.â </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">But especially in formal
writing, I think placing <i style="">only</i>
immediately before the word, phrase, or clause it modifies can improve clarity
by making the writer reflect about what <i style="">only</i>
is limiting.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Consider this, from a March 24 piece
in <i style="">The Atlantic </i>by James Fallows, <i style=""><a href="http://jamesfallows.theatlantic.com/archives/2008/03/nerds_only_firefox_3_beta_is_a.php">Nerds only: Firefox 3 beta is available</a>:</i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I <b style="">switch back to 2</b> <b style="">only</b>
when I want to use that Chinese plug-in.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Compare that with:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I <b style="">only switch back to 2</b> when I want to use that Chinese plug-in.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Readers will figure out what <i style="">only</i> is limiting, but they will start on
the wrong scent with <i style="">only switch.</i> A
look at some of Fallowsâs other sentences shows the same care in placing <i style="">only</i>.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Where the placement matters
most is when the part of the sentence modified is some distance from <i style="">only</i>.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Compare:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I <b style="">only decided</b> to arrange a trip to the <st1:place w:st="on"><st1:country-region w:st="on">Bahamas</st1:country-region></st1:place> to do a bit of fishing <b style="">when it struck me </b>that I might not have
another chance for some time.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">With:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I <b style="">decided </b>to arrange a trip to the <st1:place w:st="on"><st1:country-region w:st="on">Bahamas</st1:country-region></st1:place> to do a bit of fishing <b style="">only</b> <b style="">when it struck me</b> that I might not have another chance for some
time.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">So, when using <i style="">only</i> as an adverb, reflect on where best
to place it.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">For more on <i style="">only</i>, visit <a href="http://dictionary.reference.com/browse/only">Dictionary.com</a>. There youâll see its many uses as an adverb and as an adjective
(or conjunction). Youâll also see its origins, from Old English, as <i style="">aenlic</i> or <i style="">anlic,</i> or <i style="">one-like</i> to <i style="">only</i>.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Three ways to use dashes</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/thursday-tip-three-ways-to-use.html" />
    <id>tag:blog.clearwriter.com,2008://3.58</id>

    <published>2008-03-21T15:35:36Z</published>
    <updated>2008-03-21T15:36:55Z</updated>

    <summary> You can occasionally use a dash to separate part of a sentence and draw attention to it, just as you would with a pause in speech. Because dashes are versatile, it helps to know their three functions: linking an...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">You can occasionally use a dash
to separate part of a sentence and draw attention to it, just as you would with
a pause in speech. Because dashes are versatile, it helps to know their three
functions: linking an elaboration, setting off parenthetical material, or
injecting a pause. Each use adds more emphasis than the standard comma, parentheses,
or word space.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Some dashes link an elaboration,
replacing a comma or a colon. Hereâs an example from Maureen Dowd in the <i style=""><a href="http://www.nytimes.com/2008/03/19/opinion/19dowd.html?hp">New York Times</a></i>:<i style=""><o:p></o:p></i></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">But Saint Obama played
the politics of character to an absurd extent. For 14 months, his argument for
leading the world has been himselfâ<b style="">his
exquisitely globalized self.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">With a comma instead of the dash,
the passage would read:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">But Saint Obama played
the politics of character to an absurd extent. For 14 months, his argument for
leading the world has been himself, <b style="">his
exquisitely globalized self.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The comma throws the reader too
quickly into the trailing elaboration. </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Elaborative dashes often attract
more attention to a phrase than colons, as in this example from <i style=""><a href="http://www.economist.com/science/displaystory.cfm?story_id=10875666">The
Economist</a></i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">He is also interested
in what some religions hold out as the ultimate reward for good behaviourâ<b style="">life after death</b>.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Other dashes are parenthetical,
helping readers wade through background or explanatory material in the middle
of a sentence. Consider this example from <i style=""><a href="http://www.theatlantic.com/doc/200804/britney-spears">The Atlantic</a></i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">The expensive cars
[paparazzi] drive reflect the fact that Britney Spearsâ<b style="">her marriages, custody battles, fights with her mom, new boyfriends,
Starbucks runs, trips to the hospital</b>âis a bigger and more lucrative story
than Elizabeth Taylor and Richard Burton or John Lennon and Yoko Ono.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The dashes help readers process
the details without losing the writerâs thrust. The dash-less alternative is a
jumble that makes it tough for readers to get from the subject <i style="">(Britney Spears)</i> to the verb <i style="">(is)</i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">The expensive cars
[paparazzi] drive reflect the fact that Britney Spears, <b style="">including her marriages, custody battles, fights with her mom, new
boyfriends, Starbucks runs, and trips to the hospital,</b> is a bigger and more
lucrative story than Elizabeth Taylor and Richard Burton or John Lennon and
Yoko Ono.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">And still other dashes inject a
pause, forcing a moment of reflection on what precedes themâbefore flinging
readers into what follows. Hereâs an example from a World Bank <i style=""><a href="http://www.worldbank.org/wdr/">World
Development Report</a></i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Yet billions of people
still live in the darkness of poverty<b style="">âunnecessarily</b>.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Here the dash simply replaces a
word space.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">So when should you use a dash?
Remember that dashes are pauses, so use them for emphasisâand sparingly. Also,
avoid using them in a sentence that has a colon.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Repeating a structure</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/thursday-tip-repeating-a-struc.html" />
    <id>tag:blog.clearwriter.com,2008://3.56</id>

    <published>2008-03-13T17:24:04Z</published>
    <updated>2008-03-14T17:25:42Z</updated>

    <summary> For the parts of sentences doing the same workâsignaled by the conjunctions and, or, and butârepeating their grammatical structures adds balance and often picks up the cadence rather than smothers it. Hereâs an example from the New York Review...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">For the parts of sentences
doing the same workâsignaled by the conjunctions <i style="">and, or, </i>and <i style="">butâ</i>repeating
their grammatical structures adds balance and often picks up the cadence rather
than smothers it.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Hereâs an example from the <i style=""><a href="http://clearwriter.richard-group.com/mt-static/html/For%20the%20parts%20of%20sentences%20doing%20the%20same%20work%E2%80%94signaled%20by%20the%20conjunctions%20and,%20or,%20and%20but%E2%80%94repeating%20their%20grammatical%20structures%20adds%20balance%20and%20often%20picks%20up%20the%20cadence%20rather%20than%20smothers%20it.">New
York Review of Books</a> </i>[<i style="">and</i> is
implied, its omission adding to the rhythm of the sentence]:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">White pine is <b style="">too soft</b>, he reasons, maple <b style="">too sleek</b>, oak <b style="">too ordinary</b>.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Repeating <i style="">too</i> before each adjective makes the list more memorable than
anything varied structures or varied words would evoke. </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Hereâs another:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In my fantasy party we
would <b style="">support</b> the interests of the
poor and working classes, not the rich; the rights of animals and the
environment <b style="">would be fought for</b>; and
discrimination <b style="">would be combated</b>
wherever we found it.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The reader will have trouble
untangling the jumble. The original in <i style=""><a href="http://www.economist.com/">The Economist</a> </i>had better structure and
cadence:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In my fantasy party we
would <b style="">support</b> the interests of the
poor and working classes, not the rich; <b style="">fight
for</b> the rights of animals and the environment; and <b style="">combat</b> discrimination wherever we found it.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The writer could have done even
more to unify the rhythm:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In my fantasy party we
would <b style="">support</b> the interests of the
poor and working classes, <b style="">not the rich</b>;
<b style="">fight for</b> the rights of animals and
the environment, <b style="">whether popular or not</b>;
and <b style="">combat</b> discrimination, <b style="">wherever we found it</b>.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">In the original <i style="">not the rich</i> adds a phrase to the first
element not shared by the others. Another solution would be to drop it:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">In my fantasy party we
would <b style="">support</b> the interests of the
poor and working classes, <b style="">fight for</b>
the rights of animals and the environment, and <b style="">combat</b> discrimination.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The choice is between a compact
sentence and one that takes its time. </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Given our preference for
arranging series from short to long, we would recast the sentence this way:</p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><i style="">In my fantasy party we would <b style="">combat</b>
discrimination, <b style="">support</b> the
interests of the poor and working classes, and <b style="">fight for</b> the rights of animals and the environment.</i></p>

<p class="MsoNormal"><o:p>&nbsp;</o:p></p>

]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Stark attachments 4</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/tuesday-thought-stark-attachme-3.html" />
    <id>tag:blog.clearwriter.com,2008://3.57</id>

    <published>2008-03-11T21:55:06Z</published>
    <updated>2008-03-14T22:01:26Z</updated>

    <summary> The fourth candidate for a stark attachment is a long prepositional construction in a long sentence. Thomas takes a utilitarian approach to the problem by attempting to convince corporations, pension funds, and other investors that the price of continuing...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">The fourth candidate for a
stark attachment is a long prepositional construction in a long sentence.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i>Thomas takes a utilitarian approach to the problem <b style="">by <span style="">attempting
to convince corporations, pension funds, and other investors that the price of
continuing to ignore the impact of greenhouse-gas emissions will soon greatly
exceed the cost of reducing them.</span></b><span style=""><o:p></o:p></span></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The preposition <i style="">by</i> connects the next 30 words in a blur
of sentence, leaving readers to search for whatâs important and whatâs not.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">This could have been two
sentences, for two ideas of equal weight.</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i>Thomas takes a utilitarian approach to the problem. He <span style="">attempts to convince corporations, pension
funds, and other investors that the price of continuing to ignore the impact of
greenhouse-gas emissions will soon greatly exceed the cost of reducing them.<o:p></o:p></span></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">Recall that two sentences with the same
subject are the first candidate for a stark attachment, as with this leading
part:<o:p></o:p></span></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i>Taking a
utilitarian approach to the problem,</i></b><i> Thomas attempts<span style=""> to convince corporations, pension funds, and
other investors that the price of continuing to ignore the impact of
greenhouse-gas emissions will soon greatly exceed the cost of reducing them.<o:p></o:p></span></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">And this inner part:<o:p></o:p></span></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i>Thomas, <b style="">taking a
utilitarian approach to the problem,</b> attempts<span style=""> to convince corporations, pension funds, and other investors that the
price of continuing to ignore the impact of greenhouse-gas emissions will soon
greatly exceed the cost of reducing them.</span></i><span style=""><o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">The example comes from a <i>New Yorker</i>
piece (February 25, 2008) by <a href="http://www.newyorker.com/reporting/2008/02/25/080225fa_fact_specter?currentPage=6">Michael
Specter</a>:<o:p></o:p></span></p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i>Thomas takes a utilitarian approach to the problem, <b>attempting
to convince corporations, pension funds, and other investors that the price of
continuing to ignore the impact of greenhouse-gas emissions will soon greatly
exceed the cost of reducing them.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">Specter simply removed the preposition <i>by</i>
and starkly attached the rest. Note how the comma articulates the two parts of
the sentence, something not so obvious in the first example at the top of this
post.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">I think, however, that heâs subordinating the
more important idea, not the less. (See the two preceding examples.)<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">To sum stark attachments up:<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">Look for:<o:p></o:p></span></p>

<ol><li><span style="">Two sentences or clauses with the same
subject.<o:p></o:p></span></li><li><span style="">A sentence with two or more verbs tied to the
subject.<o:p></o:p></span></li><li><span style="">A sentence with a who or which clause.<o:p></o:p></span></li><li><span style="">A sentence with a prepositional extravaganza.<o:p></o:p></span></li></ol>







<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">Next, decide which part is less important.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 12pt;"><span style="">Then, starkly attach it at the front of the
sentence, in the middle, or at the back.<o:p></o:p></span></p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Repeating a sound</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/clearwriter-tip-of-the-week-re.html" />
    <id>tag:blog.clearwriter.com,2008://3.55</id>

    <published>2008-03-06T22:32:39Z</published>
    <updated>2008-03-14T21:28:02Z</updated>

    <summary> The last Tips talked about two elegant repetitionsârepeating a word and repeating a root. This weekâs adds a third, one more often associated with poems than with prose. Alliteration, repeating a consonant sound at the beginning of two or...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">The last Tips talked about two
elegant repetitionsârepeating a word and repeating a root. This weekâs adds a
third, one more often associated with poems than with prose.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Alliteration, repeating a consonant
sound at the beginning of two or more words in a sentence, can add poetry to
the ordinary. It usually combines words with the same first letter. Like all
repetition, it strengthens the link between words and the attention to those
words. (Indeed, it preceded rhyming in Middle English.)</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Consider this example from an
old issue of <i style=""><a href="http://www.economist.com/">The Economist</a></i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Fatter</i></b><i style=""> capital ratios, <b style="">fancy</b> risk management systems, and <b style="">faster</b> diversification: all of these
things are undoubtedly creating a <b style="">fitter</b>
banking system.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Note that the repetition need
not involve consecutive words. Here, it binds the sentence by linking the
attributes of the banking system. To be parallel, <i style="">fancy</i> might have been <i style="">fancier.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Another example, this one from <i style="">The Economist</i>âs â<a href="http://www.economist.com/daily/news/displaystory.cfm?story_id=10810681&amp;top_story=1">Flooding
the Grand Canyon</a>â:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Those glorious
inundations <b style="">moved massive</b> quantities
of sediment through the <st1:place w:st="on">Grand Canyon</st1:place>, wiping
the slate dirty, and <b style="">making</b> a <b style="">muddy</b> <b style="">mess</b> of silt and <b style="">muck</b>
that would <b style="">make modern</b> river rafters
cringe.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">This use is less ordered than
the first, but the alliteration still brings poetry, leaving the reader reveling
in the consecutive mâs. </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">But use alliteration
sparinglyâit can be annoying if overused. The âFloodingâ passage, for example,
could easily have gone too far:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Those glorious
inundations <b style="">moved massive</b> quantities
of sediment through the <st1:place w:st="on">Grand Canyon</st1:place>, wiping
the slate dirty, and <b style="">making</b> a <b style="">muddy</b> <b style="">mess</b> of <b style="">mire</b> and <b style="">muck</b> that would <b style="">make modern mariners misdoubt</b>.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The alliteration now overwhelms
the sentenceâs point.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Stark attachments 3</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/tuesday-thought-stark-attachme-2.html" />
    <id>tag:blog.clearwriter.com,2008://3.54</id>

    <published>2008-03-04T23:40:40Z</published>
    <updated>2008-03-14T21:29:16Z</updated>

    <summary> A third candidate for a stark attachment is a sentence with two (or more) verbs. The first two candidates, remember, were a pair of sentences with the same subject and a sentence with a who or which clause. Consider...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="starkattachments" label="stark attachments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">A third candidate for a stark
attachment is a sentence with two (or more) verbs. The first two candidates,
remember, were a pair of sentences with the same subject and a sentence with a<i style=""> who</i> or <i style="">which</i> clause.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Consider this sentence from a
piece by Jim Holt in the March 3 <i style="">New
Yorker,</i> on the work of <a href="http://www.newyorker.com/reporting/2008/03/03/080303fa_fact_holt">Stanislas
Dehaene</a>, a Paris-based neuroscientist exploring the brainâs wiring for
math:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">He<b style=""> pointed</b> to the little furrow where the number sense was supposed
to be situated, and <b style="">observed</b> that
his had a somewhat uncommon shape.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The furrow is in a model of
Dehaeneâs brain<i style="">. </i>Note the two verbs, <i style="">pointed </i>and <i style="">observed.</i> Holt could have converted one of them to a stark
attachment at the front of the sentence:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Pointing to the little furrow where the number sense was supposed to be
situated,</i></b><i style=""> he observed that his
had a somewhat uncommon shape.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">In the middle:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">He observed, <b style="">pointing to the little furrow where the
number sense was supposed to be situated,</b> that his had a somewhat uncommon
shape.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Or at the back:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">He<b style=""> </b>pointed to the little furrow where the number sense was supposed
to be situated, <b style="">observing that his had a
somewhat uncommon shape.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Holt left the compound
predicate because he used a stark attachment two sentences later:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Cradling the pastel-colored lump in his hands,</i></b><i style=""> a model of his mind devised by his own
mental efforts, Dehaene paused for a moment.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The common form would have
been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Dehaene <b style="">cradled</b> the pastel-colored lump in his
hands, a model of his mind devised by his own mental efforts, and <b style="">paused</b> for a moment.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Holtâs next sentence kept the
common:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Then he <b style="">smiled</b> and <b style="">said,</b> âSo, I kind of like my brain.â<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">This could have been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Then, <b style="">smiling,</b> he said, âSo, I kind of like
my brain.â<o:p></o:p></i></p>



<p class="MsoNormal" style="margin-bottom: 12pt;"><i style=""><o:p>&nbsp;</o:p></i>Or:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Then he smiled, <b style="">saying,</b> âSo, I kind of like my brain.â<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Four points, then, on the stark
attachment. First, the part starkly attached should be the lesser of two ideas,
subordinated to the greater. If the two ideas are of equal weight, use the
common form. Second, the earlier the stark attachmentâat the front of the
sentence rather than in the middle or at the backâthe more the emphasis on it. Third,
watch the length, especially when separating the subject from its verb. Fourth,
donât overuse it. Holt had three sentences with two verbs in one paragraph,
each a candidate for a stark attachment. He used it for just one.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Repeating a root</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/03/thursday-tip-repeating-a-root.html" />
    <id>tag:blog.clearwriter.com,2008://3.53</id>

    <published>2008-03-03T23:22:21Z</published>
    <updated>2008-03-03T23:22:47Z</updated>

    <summary> Last weekâs Tip talked about one type of repetitionârepeating a key term. A related technique is repeating the root of a word. Consider this example from The Economist: Far from discrediting liberalism, corruption is discredited by it. Repeating the...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;"><a href="http://blog.clearwriter.com/2008/02/thursday-tip-repeating-a-key-t.html">Last
weekâs Tip</a> talked about one type of repetitionârepeating a key term. A
related technique is repeating the root of a word. Consider this example from <i style=""><a href="http://www.economist.com/">The
Economist</a></i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Far from <b style="">discrediting</b> liberalism, corruption is <b style="">discredited</b> by it.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Repeating the root signals
nuanced meaning and links two ideas more strongly than would occur otherwise.
Here, juxtaposing the same root in active and passive constructions heightens
the authorâs proposed reversal of causality.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Or take these examples from the
ClearWriter archives:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Values</i></b><i style=""> will not bring
quality-of-life results unless we <b style="">cherish</b>
principles.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Without repetition, the passage
is bland. Try making a tighter link:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Values</i></b><i style=""> will not bring
quality-of-life results unless we <b style="">value</b>
principles.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Using <i style="">value</i> in both noun and verb forms brings a layer of meaning that
was absent before. The result is a more interesting sentence. </p>

<p class="MsoNormal" style="margin-bottom: 12pt;">But as always, use this
technique with care: because the reader must slow down to register and consider
the link, be sure that youâre not just being cute. And the repetition should add
meaning. Take this example, abstracted from my editing work:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">During the <b style="">discussions</b>, participants will <b style="">discuss</b> A, B, and C.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">We donât need to be told that people
will discuss things at discussions. This isnât rhetorical repetition. Itâs just
bad writing. Here, I might cut <i style="">During the
discussions</i> or change <i style="">discuss</i> to
something more communicativeâsay, <i style="">develop
policy recommendations for A, B, and C</i>. </p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Stark attachments 2</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/02/tuesday-thought-stark-attachme-1.html" />
    <id>tag:blog.clearwriter.com,2008://3.52</id>

    <published>2008-02-26T23:28:27Z</published>
    <updated>2008-03-14T21:30:35Z</updated>

    <summary> Last weekâs post identified pairs of sentences with the same subject as candidates for stark attachments. This weekâs looks at sentences with a who or which clauseâto see how to switch from the common to the professional. Consider this...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">Last weekâs post identified
pairs of sentences with the same subject as candidates for stark attachments.
This weekâs looks at sentences with a <i style="">who</i>
or <i style="">which</i> clauseâto see how to switch
from the common to the professional.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Consider this sentence from the
February 25 <i style="">New Yorker,</i> in Michael
Specterâs piece on carbon emissions, â<a href="http://www.newyorker.com/reporting/2008/02/25/080225fa_fact_specter">Big Foot</a>.â</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">A former <st1:City w:st="on">Berkeley</st1:City> economics professor
and chief economist at the <st1:place w:st="on"><st1:City w:st="on">Chicago</st1:City></st1:place>
Board of Trade,</i></b><i style=""> Sandor is known
as the âfather of financial futures.â<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The common version would have
been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Sandor, <b style="">who is</b> a former <st1:City w:st="on">Berkeley</st1:City>
economics professor and chief economist at the <st1:place w:st="on"><st1:City w:st="on">Chicago</st1:City></st1:place> Board of Trade, is known as the
âfather of financial futures.â<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Deleting <i style="">who is</i> and pulling the rest of the clause to the sentenceâs front
produces a starkly attached leading part.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Specter could also have deleted
<i style="">who is</i> and left a starkly attached
middle part:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Sandor<b style="">, a former <st1:City w:st="on">Berkeley</st1:City>
economics professor and chief economist at the <st1:place w:st="on"><st1:City w:st="on">Chicago</st1:City></st1:place> Board of Trade,</b> is known as the
âfather of financial futures.â</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">And here Specter goes from the
common:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Facts like these have
transformed carbon dioxide into a strange but powerful new currency, <b style="">which is</b> difficult to evaluate yet
impossible to ignore.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">To the professional, with a
starkly attached trailing part:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Facts like these have
transformed carbon dioxide into a strange but powerful new currency, <b style="">difficult to evaluate yet impossible to
ignore.</b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">So, delete <i style="">who is</i> or <i style="">which is</i> and
see where best to starkly attach whatâs left at the front, middle, or back of
your sentence.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Next weekâs post will look at a
sentence with two or more verbs.</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Thursday Tip: Repeating a key term</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/02/thursday-tip-repeating-a-key-t.html" />
    <id>tag:blog.clearwriter.com,2008://3.50</id>

    <published>2008-02-21T22:54:02Z</published>
    <updated>2008-02-22T22:54:37Z</updated>

    <summary> Repetitionâfar too often avoidedâcan be a powerful rhetorical device. It can bring order and balance to a sentenceâs parts. And it can rivet a word to the readerâs frontal lobe with more impact than elegant variation ever could. This...</summary>
    <author>
        <name>Zach</name>
        
    </author>
    
        <category term="Editing yourself" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Paragraphs" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Thursday tips" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 6pt;">Repetitionâfar too often
avoidedâcan be a powerful rhetorical device. It can bring order and balance to
a sentenceâs parts. And it can rivet a word to the readerâs frontal lobe with
more impact than elegant variation ever could. This weekâs Tip is on repeating
a word.</p>

<p class="MsoNormal" style="margin-bottom: 6pt;">Repeating a word increases its
power in the sentence by forcing the reader to reconsider its meaning and that
of the words it frames or modifies. Consider this example, from Henry Luceâs<i style=""> The American Century</i>:</p>

<p class="MsoNormal" style="margin: 0in 0in 6pt 0.5in;"><i style="">In this whole matter of
War and Peace especially, we have been at <b style="">various</b>
times and in <b style="">various</b> ways <b style="">false</b> to ourselves, <b style="">false</b> to each other, <b style="">false</b> to the facts of history, and <b style="">false</b> to the future.</i></p>

<p class="MsoNormal" style="margin-bottom: 6pt;">The string of <i style="">false</i>s hammers the point and instills rhythm.
</p>

<p class="MsoNormal" style="margin-bottom: 6pt;">This edit counteracts the
tendency of some writers to prefer synonyms over repetition. Perhaps intended
to show a commend of language, this approach can confuse:</p>

<p class="MsoNormal" style="margin: 0in 0in 6pt 0.5in;"><i style="">A delightful <b style="">fairy tale</b> has taken hold lately in
some economic policy circles: the economy is poised for a glorious burst of
sustained, 1960s-style growth without inflation. Itâs a <b style="">story</b> told by a spectrum of influential figures, from conservatives
to liberal luminaries. Like most good <b style="">fables</b>,
this one features a horrible monster who is blocking the path to eternal
happiness. That would be the chairman of the Fed, who cannot see that the
economic terrain has shifted.</i></p>

<p class="MsoNormal" style="margin-bottom: 6pt;">The three termsâ<i style="">tale, story, fable</i>âforce the reader to
figure out whether the three are different or the same. The example is doctored
slightly from the original. Sticking with <i style="">fairy
tale,</i> <i style="">tale, </i>and <i style="">tales</i>, as Paul Krugman did in <i style="">The New York Times Magazine</i>, makes the
passage more coherentâwith the repeated terms binding the sentences:</p>

<p class="MsoNormal" style="margin: 0in 0in 6pt 0.5in;"><i style="">A delightful <b style="">fairy tale</b> has taken hold lately in
some economic policy circles: the economy is poised for a glorious burst of
sustained, 1960s-style growth without inflation. Itâs a <b style="">tale</b> told by a spectrum of influential figures, from conservatives
to liberal luminaries. Like most good <b style="">tales</b>,
this one features a horrible monster who is blocking the path to eternal
happiness. That would be the chairman of the Fed, who cannot see that the
economic terrain has shifted.</i></p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Tuesday Thought: Stark attachments 1</title>
    <link rel="alternate" type="text/html" href="http://blog.clearwriter.com/2008/02/tuesday-thought-stark-attachme.html" />
    <id>tag:blog.clearwriter.com,2008://3.51</id>

    <published>2008-02-19T23:27:10Z</published>
    <updated>2008-03-14T21:36:26Z</updated>

    <summary> One thing that distinguishes professional writing from the common is the variety of sentence structures. Most writers cling to five or six basic types that theyâve used since high school or college. Professional writers use many more, perhaps 40...</summary>
    <author>
        <name>Bruce</name>
        
    </author>
    
        <category term="Sentences" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Tuesday thoughts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.clearwriter.com/">
        <![CDATA[

<p class="MsoNormal" style="margin-bottom: 12pt;">One thing that distinguishes
professional writing from the common is the variety of sentence structures.
Most writers cling to five or six basic types that theyâve used since high
school or college. Professional writers use many more, perhaps 40 or 50. Among
those are what we (at ClearWriter) call stark attachmentsâphrases attached as
appositives or similar forms at the front of a sentence, in the middle, or at
the back.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Start by looking for two
sentences or independent clauses with the same subject.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Here is a starkly attached
leading part from this weekâs <i style="">New Yorker,</i>
in Michael Specterâs piece on carbon emissions, â<a href="http://www.newyorker.com/reporting/2008/02/25/080225fa_fact_specter">Big Foot</a>.â</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Compelled by economic necessity as much as by ecological awareness,</i></b><i style=""> many corporations now seem to compete as
vigorously to display their environmental credentials as they do to sell their
products.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The common version would have
been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Many corporations</i></b><i style=""> now
seem to compete as vigorously to display their environmental credentials as
they do to sell their products. <b style="">They</b>
are compelled by economic necessity as much as by ecological awareness.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Note the pattern of two
sentences with the same subject: <i style="">Many
corporations</i> and <i style="">they.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The stark attachment could also
have been an inner part, after the subject:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Many corporations, <b style="">compelled by economic necessity as much as
by ecological awareness,</b> now seem to compete as vigorously to display their
environmental credentials as they do to sell their products.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Or it could have been a
trailing part:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Many corporations now
seem to compete as vigorously to display their environmental credentials as
they do to sell their products, <b style="">compelled
by economic necessity as much as by ecological awareness.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Where you place a stark
attachment usually depends on the emphasis you wish to give it. The earlier,
the more emphatic.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Hereâs another sentence from
the same piece:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">Thomas takes a
utilitarian approach to the problem, <b style="">attempting
to convince corporations, pension funds, and other investors that the price of
continuing to ignore the impact of greenhouse-gas emissions will soon greatly
exceed the cost of reducing them.<o:p></o:p></b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Dictating the placement here is
logic: the second clause elaborates on the first.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">The common version would have
been:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><b style=""><i style="">Thomas </i></b><i style="">takes a
utilitarian approach to the problem. <b style="">He </b>attempts
to convince corporations, pension funds, and other investors that the price of
continuing to ignore the impact of greenhouse-gas emissions will soon greatly
exceed the cost of reducing them.<o:p></o:p></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Again, note the pattern: two
sentences with the same subject, always a candidate for folding part of one
sentence into the front, middle, or back of the other.</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Hereâs another example:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I asked if they paid
attention to labels. âOf course,â <b style="">the
man</b> said. <b style="">He</b> looked a bit
insulted.</i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">And here is how Specter
attached the second sentence to the back of the one preceding it:</p>

<p class="MsoNormal" style="margin: 0in 0in 12pt 0.5in;"><i style="">I asked if they paid
attention to labels. âOf course,â the man said,<b style=""> looking a bit insulted.</b></i></p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Trailing parts often start with
<i style="">âing</i> words (gerunds, participles).</p>

<p class="MsoNormal" style="margin-bottom: 12pt;">Other candidates for stark
attachments are sentences with two or more verbs, with a <i style="">who</i> or <i style="">which</i> clause, or with
a long prepositional phraseâeach to be covered in coming posts.</p>

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